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Everyone from hardcore jazzers to shredders like Bumblefoot, Buckethead, and Shawn Lane have twisted and turned this scale far past what any of the classical composers ever envisioned.īecause of the whole-tone scale’s symmetrical construction, there are only two different versions and each one is a half-step apart. A whole-tone scale creates an unfinished, dreamy quality since it doesn’t really resolve anywhere (that’s because any note in the scale could be considered the root). You can hear this sound in the impressionistic work of Maurice Ravel and Claude Debussy. As I mentioned, creating a whole-tone scale couldn’t be easier, just keep stacking up whole-steps until you get back to your root. You may remember that we used this scale for a warm-up exercise a few months ago. We’ll also cover diminished and augmented scales in this lesson, so let’s dig in!Įx. For example, moving up in whole-steps until you reach the root creates a whole-tone scale. The concept behind a symmetrical scale is pretty simple: The intervals within the scale follow a consistent and predictable pattern. Have you ever craved a little extra musical spice? Do you want your licks to have a sense of mystery, urgency, darkness, or zaniness that major scales and their corresponding modes can’t provide? If so, you may want to investigate symmetrical scales.
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